I decided to show the emotion 'fear' by contrasting close-ups and obscured long-shots. I tried to ensure a full face is never seen and purposely avoided showing key action such as the blinds being shut. I hoped that by avoiding typical structural forms to make the small piece create a sense of unease with audiences. Our tutor Sam suggested in future considering exploring using much more extreme long-shots to capitalise on the added isolation implied by the shot.
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